Divination

Three elk top a grassy ridge. They are evenly spaced, the one in the middle centered in a bold V shape. Within the V, the sky is crystalized into abstract shades that fade from blue at the horizon to almost pink against the upper edge of the frame.

When the world ended,

we scavenged the things we could and vowed
to become witches together. A childhood

necessity. I searched my blackened cupboard 
for the flowers we’d dried, petals bleached

with age and ash.

You’d lost your crystal ball but gathered up
all the bones nearby.

I helped you find them, little white shards,
so burnt they’d crumble to the touch

until you were left with a dozen pieces.
The resilient parts.

Now, you watch the bones clatter, pay attention
to the forms they make.

One day, I hope the world will hold up its hands,
and in its palms, beating like a frightened bird,

show you its bleeding heart.

But I don’t bother with the bones anymore.

I roam the ash, find a good spot, and toss the seeds
that will shape it all anew.

In a few years
the world will still be a wasteland, but we’ll
watch that wasteland bloom.


Ada Navarro Ulriksen

Ada Navarro Ulriksen was born in Santiago, Chile and now lives in California. Her poetry has appeared in The Deadlands as well as a few other journals.

Header photograph and artwork by Jordan Keller-Wilson


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