When the world ended,
we scavenged the things we could and vowed
to become witches together. A childhood
necessity. I searched my blackened cupboard
for the flowers we’d dried, petals bleached
with age and ash.
You’d lost your crystal ball but gathered up
all the bones nearby.
I helped you find them, little white shards,
so burnt they’d crumble to the touch
until you were left with a dozen pieces.
The resilient parts.
Now, you watch the bones clatter, pay attention
to the forms they make.
One day, I hope the world will hold up its hands,
and in its palms, beating like a frightened bird,
show you its bleeding heart.
But I don’t bother with the bones anymore.
I roam the ash, find a good spot, and toss the seeds
that will shape it all anew.
In a few years
the world will still be a wasteland, but we’ll
watch that wasteland bloom.


Ada Navarro Ulriksen was born in Santiago, Chile and now lives in California. Her poetry has appeared in The Deadlands as well as a few other journals.
Header photograph and artwork by Jordan Keller-Wilson
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