Survival Guide

A cluster of barrel cacti dominated by their spiky spines. The image is split with a black V shape and the center of the V is in full color with the sides remaining in black and white.

Apply primer. 

When the bruise is at its darkest—any shade between red and violet—apply green concealer first, then regular concealer, one shade lighter than your foundation. Once it begins to yellow, substitute lavender concealer for the green. Then foundation, repeat; cover in powder, setting spray. Make every effort to ensure your makeup can outlast tears, sweat, the various liquors and juices that form a thin, sticky film on your skin that remains after you return home from your closing shift. Check every angle of your face—first in the bathroom mirror, then in your phone camera when you get behind the bar to test the lighting. Remember which angle makes the bruise the least visible when you’re talking to her.

She wants to help you. She’s a good friend, and you hate her for it. She’s a lawyer, and she acts like one, studying you with pleading eyes from behind her beer when she sits at one of the iron stools surrounding the horseshoe-shaped bar. Avoid being alone with her, getting cornered. You know you will cry. You always do. 

The truth comes out when she asks you to share a Pall Mall just outside the warm, cheerful brewery on a cold night in early February. She starts crying, and your own eyes begin to sting. But you quickly fight the tears down, walk back in like nothing happened and pour yourself, and any of the regulars who desire one, another drink. 

You move into the spare bedroom of her house by the end of the month. She keeps it too cold. You wear wool socks to bed, hug your knees to your chest under layers of quilts and it’s still not enough. You think about the first night you met him, how out of nowhere he appeared as you searched your backpack for a lighter. The way the flame, and the sudden glow of his smile appeared in the dark. You don’t sleep. You toss and turn in a bed that is not yours, in a house you’ll never be able to afford. You remember the night you both searched his apartment at three in the morning for his birth certificate, motivated by copious amounts of cocaine and a desire to find out his birthtime. Defeated, he sat on the worn futon, and you on the concrete floor, your head collapsed onto his bony knee, his fingernails tracing mandalas on the back of your neck.

You don’t want to be here. You don’t want to be anyone’s charity case. You’ve always done exactly what you’ve wanted. Each time you’d go to him, you couldn’t wait to leave your life behind: your boyfriend of two years, the home you were building with each other. Your hair would stand up on your neck when he opened the door, your flesh crawling with the illicitness of it all. Eventually, you confessed the affair to your boyfriend, and now you live in your friend’s spare bedroom, making promises of never seeing him again. You lie, more than ever. Only this time you’re doing it while you’re eating her food, drinking her expensive coffee, living in her house. She gives you clothes that no longer fit her: well-worn T-shirts advertising restaurants you’ve never been to, cities you’ve never even passed by. You wear them, like you wear the guise of a girl that is changing, but inside everything pulls you back to him.

The first time you sneak back to his place while she is at work, he takes your phone from your hands. When you go to reach for it, he slaps you with the back of his hand across your face. His ring collides with your cheekbone and leaves a mark. She asks you about it. You lie, smudged makeup. She looks at you defiantly: “Gal, that’s a bruise.” 

Be careful of what you say over text messages.

Ever since that first morning you woke up in his apartment, you feel the space between your legs swell when you see his name on your phone. You texted through the days that followed: talking dirty, typing fantasies of bondage and submission. He’s more methodical than you think, or at the least, opportunistic. Now, he throws it back in your face: If you ever tell anybody, he will show them that he was only giving you what you wanted. 

Trust your gut. 

Only your gut builds cobblestoned paths straight to your demise, illuminates your endangerment in a soft pink light. Your gut placed you behind steering wheels when you were too drunk to walk, before you were even old enough to get your license. Your gut asked your friend for drugs when you were both in the back of a paddy wagon (on camera) on the way to the city jail. Your gut shared a home with a man who loved you, and kept leading you to the apartment of this one instead, for sex, attention, drama and other reasons you can’t name. Your gut would gleefully skip barefoot across a path of hot coals to pick up a one-dollar scratch off ticket on the other side. You know love is not this. You’ve had love better than this; you could count it on both of your hands. Your gut chose this instead. 

Come up with a safety plan. 

It’s not like it is in the movies. If you leave, he won’t stop you. He will never pursue you after you are gone. He will have someone else in his bed before you can sign the paperwork for your new apartment. You have nothing stopping you from never answering him again. You choose to stay, again and again and again. You once heard in a court-mandated AA meeting that some people are addicted to being sick. Sickness is a part of them as inseparable as flesh. Love isn’t strong enough for you unless it has you in a chokehold.

One June day, he confesses he’s sleeping with someone else. You had been too, but as always, you feign innocence. You slap him; he chokes you until you lose consciousness. You wake on your bed, with him, then run down the stairs from your attic apartment. He chases you, falls on his knees in the backyard and begs you to stay. That night, you take a pregnancy test. You don’t remember your last period, don’t remember much of anything. The months stretch behind you like a blank white hallway. It hurts when you swallow from where his fingers gripped your throat. You read recently that people who have been strangled by their partners are over 700% more likely to be murdered by them the next year; that seven seconds of occlusion of blood is when permanent brain damage starts to occur. As the second blue line begins to appear on the drugstore test, you are too stunned to pick up your phone. You don’t know who to call. 

Be prepared for bold people to ask you: “Why did you keep the baby?”

Not so bold people will wonder the same. You don’t owe them an answer, but what you can say is: “No matter what, I was ready to be a mother.” 

You don’t tell them about the first one. You were 18 years old; you scraped together the money your Irish Catholic father gave you for books that semester and the money you saved working Sundays serving pancakes to churchgoers at a Cracker Barrel. The procedure took 15 minutes, but you sat in the waiting room filled with downcast eyes and a heavy silence for most of the day. The ultrasound tech sounded like she had once sat where you sat when she said: “I legally have to show you the heartbeat, but you don’t have to look at the screen.” You looked at the screen, the creature swimming like a jellyfish. You never once regretted it, but you promised yourself you’d never do that again. 

Promises were made to be broken. You make an appointment for a date the week before it would be too late, just in case. You drive to the clinic in Denver still undecided. It’s a regular doctor’s office, in a regular building, without a protester to be found. Here you are, ten years later, feeling more lost than you were back then. You sit in your car for 20 minutes, staring at the black windows against the beige building, knowing for less than a thousand dollars, you could walk into those doors and walk out the same, a woman who only had to care for herself. A decade ago, you knew exactly what you wanted. Now, you are ambivalent, passive. You’d hoped the doctor wouldn’t find a heartbeat when you attended your prenatal appointments. You’d hoped to wake up in the morning and see blood. You’d hoped that something would happen that was out of your control, that would allow you a second chance to have your first child in the kind of healthy home you grew up in, a chance to get this part right. You, like always, longed to slip quietly out of this situation, blameless and innocent. 

You choose to be a mother.

Now, when his hands lunge for you, you must protect your stomach instead of your face.

You try to make the best of it. You act meeker than ever, pick his clothes up off the carpet and fold them after he throws them to the ground in a rage. You twist yourself endlessly to fit into what you think he wants. You watch the animated version of The Addams Family on repeat, sinking deeper into the well your body has created on the king-sized mattress on his bedroom floor. He rubs your feet. Starts to smoke his cigarettes outside. Makes you bubble baths with off-brand dish soap, applies clay face masks, massages shoulders, cleans your skin when you don’t have the strength. He grabs your face, goes to smack it, his hand remains in the air; he throws a pot instead. He’s changing. He promises you he has changed. As your stomach grows, the walls close in. You stray further and further from the woman a younger you wanted to become.

You leave his apartment for what you promised yourself would be the last time. 

You’d made a plan. You go to your 20-week anatomy scan. The ultrasound tech shakes your stomach to try and get the baby to move. She asks if you ate breakfast, says the baby must be in a food coma. You hope that’s all it is, the first of many worries you will have for the life growing inside you. She has you walk around, change positions, go pee. Then she checks your baby’s every body part, wordlessly typing notes that make no sense to you. It’s a boy, what his father has always wanted. He’s healthy, a relief to you. You watch your son kick on the screen and feel his tiny feet against the wall of your uterus. You’d been feeling that flutter for weeks, but chalked it up to your anxiety. 

The day after your appointment, you drive east. You have a financed car, $2,000 in your bank account, clothes, and six black and white sonogram pictures of your child’s body parts: his long limbs, his feet, his testicles labeled “IT’S A BOY!!!!” You are afraid to face your family. You are ashamed: first in a long history of devout Catholics to be pregnant outside of wedlock, by a man they’ve never even heard of. You drive to Kansas City, pay for two nights at the cheapest hotel you can find. It is luxury to you, stretching into crisp white sheets, stretching into silence. You watch reality TV for two straight days with the lights off and the blackout curtains drawn, order sushi and BBQ and have them leave it outside the door. 

When you arrive back in Kentucky, the state you’d left five years before with no intention of returning, you sleep on an air mattress in your little sister’s spare bedroom. You deliver food from Applebee’s and Chick-fil-A in red insulated bags over and over again for laughable wages until you’re welcomed back to the same restaurant where you worked during college. You work doubles; you work seventeen days straight. Your feet swell. You buy new shoes. Now you can afford an apartment. Your mother and your two sisters take you to Target and they split the cost three ways. You leave with a metal trash can, plastic plates, and a vacuum. In front of the cashier, you shuffle back and forth in your oversized Sketchers and sheepishly dribble out I-can’t-thank-you-enoughs. You’ve become their charity case.

February comes around. Your wrists and fingers swell so much you can’t grasp a pencil. You wear a carpal tunnel brace to bed. Your belly can no longer be mistaken for extra weight. People you know and those you don’t congratulate you constantly. At home, you cry; you feel like you made a mistake. You swallow pregnancy-safe over-the-counter sleep aids. You long for dreams better than your reality. You long for a time machine. You long for stronger drugs. But, you already live for the boy growing inside you, now taking up enough space you can sometimes see his hands or feet from the other side of your translucent winter skin when you lay in bed at night. You work. You save. You make coffee at home. You only buy meat on sale. You are becoming disciplined. Still, lonely, you call your baby’s father. He’s always drunk and often with someone else. You fill your new apartment with the same old thundering screams from both ends of the phone, insults thrown from both sides like tiny darts in a dimly lit bar. You cry. You long to be seen. You should not be carrying this alone. But, you left. You knew this is what would happen.

Whether you’re ready or not, the baby will come. 

He’s born on his due date. His birth, like his conception, you cannot remember. He arrives violently, with an infection that ate your epidural in the middle of a C-section after two days of failed labor. You’re knocked unconscious with ketamine. You hallucinate through the delivery, sherbet colors, people you’ve hurt saying they forgive you. You wake up an hour and a half after he’s born, alone in a room with an oxygen mask over your face, shaking as you detox from the drugs. When it comes time to meet him, you tell your nurse you aren’t ready. You don’t realize she wasn’t giving you the choice. 

You video chat his dad from the hospital, he says that baby ain’t fucking his. When he is six weeks old, his dad tells you he’s found someone who will be a better mother than you are, and you scream and punch a wall with your son in a baby carrier, sleeping against your chest. He doesn’t wake up. He feels so safe with you, it’s your job to keep it that way. You promise this is the last time.

Six months later, his father comes to meet him for the first time. When he’s in your apartment, the shrinking begins again. Every move is scrutinized. You count down the days until he leaves. One night, while you’re sleeping, holding your son in your arms, he snatches him from you. He drags you with one hand to the kitchen outside your bedroom door, holding your cellphone in the other hand, upset about unanswered Facebook messages from your neighbor. He pins you to the linoleum floor. You hear your son start to cry from your bed. You know to shrink is to survive. Your eyes closed, you apologize and repeat, calmly, again and again: “Please, go get the baby.” The minutes feel like hours. You promise this is the last time. It is. 

Even if you don’t feel happy, you can find serenity in being alone. 

Your mom kindly suggests that maybe you could meet a nice single father to date; you know she worries you will never find a proper father figure for your son. Friends tell you to get the baby out of your bed so you can find your sexual self again. But you have everything you want. You find comfort in the rhythm of your days, lulled by the routine. You find peace in the sound of the dishwasher running at night. You are calm; you do not surf someone else’s mood swings like waves.

When your son’s laughter fills your apartment, you actually feel joy. Him in his highchair, you on a step stool in front of him, juggling clementines. He does not see any of your imperfections; he does not know any of your mistakes. You are the only thing he knows, and you are ridding yourself of toxic behaviors, wringing them from you like dirty water from a sponge, so that one day you may feel you deserve that kind of love. On weekends, you sip hot coffee and watch your son play. You make him scrambled eggs with sprouted wheat toast for breakfast. Most days, you don’t apply makeup. There have been weeks you’ve forgotten to look in the mirror at all. You keep your eyes on the next step and keep faith that he will grow up feeling secure and loved. That he will feel like each choice you made was the right one.


Lucy Jayes

Lucy Jayes has fostered a love of writing since she was old enough to hold a pen. Her work has been published in Cardinal Sins, Deep Overstock, and the Big Windows Review. She is a second-year MFA student at the University of Kentucky.

Header photograph and artwork by Jordan Keller-Wilson

Another Successful Social Interaction

A cluster of barrel cacti dominated by their spiky spines. The image is split with a black V shape and the center of the V is in full color with the sides remaining in black and white.

you enter the scene and nobody gives a shit. you don’t make a big show, but you do make a little one—clear your throat as you walk in, raise your eyebrows and your hands, try to say, “Hey, what’s up? I’m here!” but the first word barely comes out, and when it does your voice cracks so it’s mostly a whisper that sounds like, “heAYyywha…”

the door’s open to everybody, but you brought an invite anyway. you grab it from your pocket and pull the host aside to show them. they barely even look at it but they’re like, “Dude, where did you even get an invite anyway? Door’s open to everybody,” so then you say something fucking stupid like, “yeah, i know, i just thought it would be funny to make one because i’m fucking stupid,” and that’s a pretty big buzz kill even though you said it like it was a joke—because it was—but your sense of humor is all Big Sad and Big Weird and everyone else’s is Just Normal, so the host pats you on the shoulder and mutters something about mingling before leaving you standing alone in the middle of the room like a weirdo.

you shove the stupid paper back into your pocket and tap your foot to the ground a few times, checking its structural integrity, and decide that right here is probably as good a spot as any to pop a squat. sitting criss-cross applesauce on the bare wood floor hurts your ass, but it’s fine because life is basically always a little uncomfortable. 

some guy who’s into weird chicks spots you. you can tell he’s into weird chicks because he’s got several buttons pinned to his denim jacket and facial hair that looks the way a piece of velcro does when you accidentally drop it on the floor and then pick it up and go, “eww there’s hair on it,” and anyway, you just heard him say to the person next to him that he’s into weird chicks before immediately turning his attention on you.

he stands stupid close with his knees near your eyeballs, hands you a drink, then looks down at you and says, “We’re sitting indian style, huh?” so you take the drink and look back up at him and say, “no, we’re not,” because we are not doing anything and you are very clearly sitting criss-cross applesauce, so then the two of you just look at each other for too long. way too long. so long that you have time to wonder if he thinks you’re as a strange as everyone else does or if bitchy women get him off; then you’re imagining that he’s imagining falling in love with you, and you’re getting grossed out by the way you’re imagining him imagining your life, and your marriage, and your old wrinkled hand cupping his sagging balls 40 years from now, and now so much time has passed since you first started this staring contest that you think you should probably just get up and leave but your ass has fallen asleep, and anyway, you were here first, so you decide to commit to the power move and not move. the situation diffuses when he spots some other weird chick doing weird chick shit and goes to see if maybe she’ll let him smell her armpits. 

you pull the handmade invite from your pocket and try not to look at your name scrawled across the front like it even has any business being there in the first place. you fold it into a little origami canoe because that’s the only origami you ever learned how to make, then you flip it upside down and wear it like a hat. the host catches your eye from across the room, probably wondering why you’re sitting on the floor in the middle of the party wearing a paper hat, so you tip it gingerly in their direction before moving your eyes to literally anything else. sipping from your solo cup, you think: in another life, that boat could have been folded up itsy-bitsy-teeny-tiny into an even smaller version of itself and been placed right inside that cup; it could float on that liquid and ride your next sip into the cavern of your mouth, crashing against the great and gnarled rocks of your teeth before dropping down the waterfall of your esophagus and into the vat of toxic acid at the bottom to be digested and dissolved. but today, it’s a hat.


Sara Watkins

Sara Watkins (she/her) is an editor, author, UCTD-haver, and editor-in-chief of Spoonie Press (www.spooniepress.com), which is devoted to publishing work by chronically ill, disabled, and neurodivergent creators. She is the winner of the 2022 MASKS Literary Magazine Story Award. Recent publications include work in Wordgathering, Unlikely Stories Mark V, and Bitchin’ Kitsch. Contact: www.sarawatkins.net or @saranadebooks on Twitter and Instagram.

Header photograph and artwork by Jordan Keller-Wilson

Small Town Trap

A cluster of barrel cacti dominated by their spiky spines. The image is split with a black V shape and the center of the V is in full color with the sides remaining in black and white.

I’m sorry I panicked when I saw you,
rolling down my window,
pinwheeling you into traffic miles from your hive.

You must have snuck into my car
during last night’s storm, unable 
to find your way out.

Bees have a homing instinct.
I hope you’ll manage the journey
back to your queen.

Along the way, will you stop
at foreign flowers and arrive
with your legs laden with souvenirs?

I hope your friends appreciate how hard it is
to be pushed out before
you’re ready, forced to fly.

At least one of us belongs to a species
that doesn’t count ending up back home
as failure.


Matthew Pritt

Matthew Pritt writes mostly Appalachian fiction and poetry. His poems have appeared in Star*Line, Not Deer Magazine, and Bear Creek Gazette. He lives in West Virginia with five cats. You can see pictures of them on his Twitter @MatthewTPritt.

Header photograph and artwork by Jordan Keller-Wilson

Confessions

A cluster of barrel cacti dominated by their spiky spines. The image is split with a black V shape and the center of the V is in full color with the sides remaining in black and white.

I like confessing things that aren’t completely true. Like the other day, a friend of mine asked where I’d been the last few months. I said, “You’ll never believe it but…” He waited for me to finish, and what I meant to say was, “Mason and I aren’t together anymore,” which was true, but halfway through, I chose this instead: “…Mason met another guy.” 

My buddy groaned. “Shit, really?”

Yeah, really. Mason met another guy. 

But the truth was I’d met one first.

When I saw Mason, weeks after we broke up, he was arm in arm with a man I’d seen a few times—okay, a thousand—at the grocery store, the gym, the park with his little dog, everywhere. Our town was hardly more than a few hundred people and a pizza parlor, so it was hard not to see him if you tied your curtains back.

Honestly, it didn’t feel great when I saw them spending a day together, but I couldn’t let them know that. So we smiled and said, “How are you?” and of all the things to lie about, I thought, that’s the biggest of them all, smiling when a tiny piece of you is dying inside.

“Man,” my friend said, “weren’t you guys engaged?”

Kind of—Mason and I bought each other ring pops at a movie theater and drunkenly posted, “Engaged!!!!!!” with six exclamation points and it was easier to click “like” on every phony comment than to let the world in on our joke. 

“That’s what makes it so hard.”

My buddy sighed. “He tell you why or anything?”

I thought about what I’d told Mason. “He just said—sometimes you find someone else who fits you better.”

“Ugh.”

“It doesn’t mean they always will. It’s just about where you are right now.”

“Gross.”

“I know,” I said.

When I’d said these words to Mason, he cried. I’d never heard him cry before. We’d been together for two years, left Philly to find some place smaller, slower, where we could “lay down our roots” as if we couldn’t find a crack in the city streets to grow together. We drove an hour out and started looking, had our things packed into the back of his father’s pickup, found a one-road-town where the storefronts needed paint and unloaded our shit on the front step of a duplex that faced the main drag and called it “home.” 

For months, we shared our little two-bedroom half-house, unbothered by the things we hadn’t known till then—like how the sink miraculously clogged each time he shaved or the way he slurped his soup when it was just the two of us—among smaller things we pretended not to see, like the unmatched socks he left on his bureau for so long he must have known any hope of reuniting the pairs was gone, dead, finito, and I wondered how anyone got along—I mean, to the point they could actually live together—unless they closed one eye and covered one ear and pinched a goddamned nostril shut because the sad, lonely truth of it all was no one needs to be seen completely, and to this day I wonder what kind of tears I’d have gotten if I told him this instead.

“Well,” said my buddy, clearly having done enough consoling for one night, “you need anything, you let me know.”

“Of course,” I said. And alone on my couch, I thought of the man I’d left Mason for. The one I’d seen at the bar, when I drove the hour back to Philly. He was on his second Manhattan, so I asked, “A Manhattan in Philly?” not knowing if this was funny. It wasn’t.

“Hey—” I leaned in toward him. “You think I’d like the total you?”

“The what?” he asked.

“If we moved in together. And I had to step over your smelly clothes and listen to you laugh at inane comedies and watch you bite your nails when you’ve got nothing to even stress about—you think I’d like you then?”

The man shrugged coolly. “I don’t do any of that.”

“Tell me then. What do you do?”

He considered it a moment, squinting at the row of TVs. “Sometimes I drive with one knee.”

“You mean if the traffic’s slow?”

He shook his head. “On the highway.”

“That would literally fucking kill me.”

The man searched my eyes, so I shut one.

“What about you?”

I shrugged.

“Come on. Name one thing that would drive me nuts.”

I didn’t know where to begin. So I started in as good a place as any: “When I get to know somebody, I run.” 

“Is that it?”

“Or when someone gets to know me. I’m running from a man right now. He doesn’t even know it. But when I tell him, he’ll wonder who the hell I am. And for a moment, I’ll love him again. I’ll love him when he thinks about the signs he missed. I’ll love him when he wonders if we knew each other. I’ll love him when he passes our old house and—for the very first time—sees how the windows slope north, how the red brick fades by the roof.”


Matt Barrett

Matt Barrett holds an MFA in Fiction from UNC-Greensboro, and his stories and poems have appeared or are forthcoming in The Sun, Best Microfiction 2022, SmokeLong Quarterly, River Teeth, The Minnesota Review, Pithead Chapel, The Forge, Contrary, and Wigleaf, among others. He lives in Pennsylvania with his wife and their two sons and teaches creative writing at his undergraduate alma mater, Gettysburg College.


Header photography and artwork by Jordan Keller-Wilson

A Zoo Marriage

A cluster of barrel cacti dominated by their spiky spines. The image is split with a black V shape and the center of the V is in full color with the sides remaining in black and white.

I don’t mind the gawkers, but my ex-wife Sheryl hated the attention. She’d say the type of person who comes to the zoo is the same type of person who slows down to rubberneck a car wreck. Whenever I reminded her that was the whole point, that we were supposed to entertain and educate guests about the ins and outs of a loving, married human couple, she’d always retort: “I don’t remember agreeing to love anyone.”

She was right. She hadn’t.

I was sentenced here for selling an ounce of weed. For a while, the exhibit was called The Life of a Pious Bachelor. I’d spend all day raising and donating fake money to real churches. I guess the courts figure if we imitate who they want us to be for long enough, we’ll keep on imitating this made-up person forever.

Sheryl showed up around a year ago, and they renamed the exhibit The Idyllic Life of Married Americans. For authenticity, the zookeepers forced us to tie the knot for real. Each guided tour was the same. We’d begin in the kitchen, Sheryl cooking breakfast while I read a months-old newspaper. We’d exchanged pre-written lines like: “How did I get so lucky?” We’d finish eating, and Sheryl would kiss my cheek goodbye. I’d go to the dummy office attached to our pseudo-studio-set home and pretend to answer calls and check emails. Sheryl would pretend to vacuum and wash dishes. We’d end in bed talking about our days like stars from some cheesy 1980s sitcom.

Last Saturday, we got divorced.

The day started normally. I’d gotten up late; I tend to oversleep. I have nothing to wake up for, no one waiting for me at the zoo’s gate. I’ve never done anything worthwhile to miss. Sheryl had a life to get back to, had friends who’d sneak her snacks and trinkets. When I slid the half-Windsor to my Adam’s apple, she was already in her dress. She glanced at the clock next to the cots behind our mock house and mumbled something. I didn’t blame her for being pissed. If we weren’t ready by the time the zookeepers arrived, they’d threaten to tack on years.

I finished threading my arms through my state-issued blazer just as the zookeepers appeared behind the plexiglass. They all look the same. Same gray polo with the zoo’s logo, a giraffe with the scales of justice pinched between its teeth. Same short crew cut. Same cattle prod dangling at their waists.

One of the zookeepers shoved a box into the compartment they used to deliver our meals. I retrieved the box and opened it. Inside was one of those dolls whose eyes close when you tilt it downward. “Congratulations,” another zookeeper said. “You’ve just had a baby.”


On the stove, speakers emitted the sound of sizzling bacon. Sheryl cracked a fake egg and dripped the counterfeit protein into a skillet. I flipped to the Sports Section. Across the table, our plastic child sat in a highchair. Savory smells blasted through the air vents to make our guests’ mouths water for their own slice of marital bliss.

“Breakfast is almost ready,” Sheryl said. “I hope you’re hungry.”

Field-tripping students pawed at the plexiglass. Their teachers hovered like vultures. A zookeeper spouted fabricated details about how Sheryl and I met: high school sweethearts who waited until marriage.

“I’m starved, dear.”

Sheryl carried over our plates. I folded the newspaper. As we mimed eating, a zookeeper informed the crowd about how through hard work I’d been promoted to assistant manager, about how Sheryl took pride in her home.

“Well, dig in…”

Sheryl turned away. At first, I thought she was glaring at the kid up front who was giving us the finger. Then I noticed she was looking behind the little punks at a man packed into a navy suit. The man smiled at Sheryl like he knew her. He was leaning against the back wall, one hand relaxed on his hip, the other holding the arm of a stuffed animal version of our next-door neighbor, Milo the Mountain Lion.

Sheryl touched her arm. A zookeeper banged on the plexiglass, and she jerked her hand away like she hadn’t realized what she was doing.

“I refuse to be your stuffed animal anymore,” Sheryl said.

“Stick to the approved material,” a zookeeper piped into the exhibit.

Sheryl grabbed my plate and displayed the fake calories. She lifted our son out of his highchair and popped off one of his arms, revealing his hollow insides. Then she pointed at me like I was standing in a police lineup.

“I don’t know him, and he doesn’t know me,” Sheryl said.

Two zookeepers stormed the back entrance. Lightning jumped from their cattle prods. Kids screamed. Sheryl darted back and forth as the zookeepers attempted to herd her into a corner. She was right. I didn’t know her, at least not how two people in love are supposed to know each other. I pushed one of the zookeepers to the ground. The other went to zap Sheryl, but I stepped in front of the cattle prod, sending ants crawling through my veins.

Sheryl shrank and shrank until she was just a black dot.


They’ve renamed the exhibit The Life of the Regretful Divorcee. I now spend all day crying and apologizing for being a bad husband. I don’t know what happened to Sheryl, if she escaped, if she got to stop pretending. I do know the zoo is getting an elephant today. Apparently, this elephant killed a group of poachers. They’d sedated her and were sawing off her ivory when she woke up and gored them all to death.


Will Musgrove

Will Musgrove is a writer and journalist from Northwest Iowa. He received an MFA from Minnesota State University, Mankato. His work has appeared or is forthcoming in TIMBER, Cleaver Magazine, Oyez Review, Tampa Review, Vestal Review, and elsewhere. Follow him on Twitter @Will_Musgrove.

Header photograph and artwork by Jordan Keller-Wilson

I will be a person who composts

who buys brown-spotted eggs direct from the chickens. 
Who never scoops out the blood spots 
     or tosses shells in the trash.
I will wash and sort my recycling.
I will bundle cardboard with rough string and gift-tie it
      in neat bows.
I will cook fresh soups from scratch. 
I will wrap my leftovers in beeswax cloth softened 
      against my heart.
I’ll become a person who sweeps and mops the front porch 
      and waves hello to the neighbours.
Who appreciates the relationship of bees to apiarist.
I will return strange mail to the sender.
I will switch from outdoor shoes to slippers.
I will become a person who can knit baby socks on 
      tiny needles.
Who can tame a songbird on an outstretched hand. 
I will eat crystals.
I will work miracles.
I will wake up with the sun to be mindful.
I will be a person who speaks only in song.
Who sends handwritten notes to mark minor occasions.
Who bakes crispy pies and writes in fountain pen.
I will scrawl to-do lists onto my palms.
Collect dryer lint in apron pockets.
I will be the kind of person who changes the sheets daily
      and hangs them to flutter in the cinema of the yard.
I will dream with brightness up and saturation down.
The one who consumes her receipts. 
Weeds the sidewalk.
Boils the roots for tea.


Kate Hargreaves

Kate Hargreaves is the author of 4 books of poetry and fiction, including the poetry collections Leak (Book*hug, 2014) and tend (Book*hug, Fall 2022). She lives and works in Windsor, Ontario where she also plays roller derby and talks too much about her cats. Find her work at CorusKate.com.

Header photograph and artwork by Jordan Keller-Wilson

Bankrupt

The side of a building with many fire escapes. The photo appears in black and white with a V-shaped center section in bright, comic-book style color, the building vibrant orange-red.

At 5:00 a.m. Mark’s pager squeals. It’s a fire call. 

In the kindest voice I can muster, I ask, “Can’t you skip it? It’s our wedding day.” I mash my face into the pillow. The real Catharine wants to break his face for leaving that damn radio on to disrupt my sleep. Pregnant, exhausted, awake most of the night because of his snoring, and planning to marry later that day—all are good reasons to let me sleep in just this once, to let another volunteer take the call, to allow the fires to burn. He says he won’t be long. 

I can’t go back to sleep, so I get up, eat a Pop-Tart, take a shower, and wait. An hour or two pass. Bored, or maybe suspicious of all these “fire calls” that have occurred almost daily since I moved in, I search his emails—he left the computer unlocked this time—dig through the files and folders in the steel filing cabinet in his office, flip through his baby book and other photo albums on the shelves, and rummage through boxes in the basement. This is my first time alone in his house when I’m not busy unpacking my own boxes, or getting ready for work or a class, or reading What to Expect When You’re Expecting, or trying to get back to sleep in the middle of the night after his pager crows and he rushes off. I push through the papers, albums, and files. I ignore the sting of the sunburn on my shoulders and chest and the urgent calls to pee every hour. Unsure of what I’m hunting, I keep digging until I have to leave to get my hair done. He’s been gone seven hours. We’re to be married at 4:00 p.m. Will he make it? Is he actually out fighting a fire? Why hasn’t he called? I get into the dress, the shoes, and drive.


I sit in an off-white wedding dress, size 12, while a woman curls my hair. The salon is loud with hair dryers, chatter, and the roar of my blood. My palms sweat. My back and neck ache. I close my eyes as she twirls my hair around the steaming iron. I don’t want to look at the woman in the mirror—fat, burned, and abandoned. 

As soon as I get in the car, my phone rings. Mark says he and his crew just finished fighting a large grass fire on the outskirts of town—two other volunteer fire departments were called in as well. Now he’s coming home. It’s 2:15 p.m. I say I’ll meet him at the house. 

I sit in the salon lot, my car running. All those emails to and from former girlfriends—Anne, Sharon, Susan, Linda, Janet, Stacey, Heather. They flip through my head. All those photos on his computer—vacations to Colorado, Las Vegas, Scotland, Arizona, Florida—organized in labeled folders with all those ladies’ names. All those faded Polaroid photos of a naked brunette in a bathtub in a box labeled “1985.” All those tax documents with his ex-wives’ names. All those receipts for rings, earrings, computers, limos, dinners, storage units, and trips. All those documents for apartment rentals, car leases, and purchases. All those credit card statements with balances in the thousands. He never mentioned debt. In his pen holder shaped like a fire hydrant, I found the key to a locked filing cabinet drawer. It held bankruptcy papers from 1997. He never mentioned bankruptcy.  

My dad calls to say he and my stepmom are in town and they’ve checked into the hotel. They’ll see me at the ceremony. I keep my voice cheerful. “Yes, see you there!” His call is the toll of a bell—time’s up—I put the car in drive and head to Mark’s. Because of my sunburn, Mark probably will not be able to tell I was crying. My face, neck, and chest burned, my skin peeling and pink. When I enter his door, he doesn’t say anything except how pretty my hair is as he buttons his white shirt. He has his shoes on. He’s ready. First stop: the flower shop to get my bouquet, and then the ceremony. 

My mother, with her large black sunglasses and cane, and her boyfriend David, wearing a terrible bright yellow shirt like always, are already at the Gerald Ford Rose Garden. They show up early to everything. Mark’s mother arrives in a bright white pantsuit. I wonder what her angle is. My dad and his wife Becky come up. My dad points at his Winnie the Pooh tie and says, “I know how much you like Winnie the Pooh.” I don’t correct him. If I ever did like that character, it’s been many years ago, so many I don’t recall watching that show like I remember Saturday mornings watching the Smurfs or She-Ra or Sunday nights spent with The Simpsons. I’m not angered by this—how could he know what I like or don’t like? He doesn’t really know me.

My friend Melissa, my maid of honor and only attendant, wears a lovely, flowing black dress. She was the maid of honor for my first wedding as well. This whole scene is a repeat. But this time—instead of the traditional tacky purple bridesmaid dress, rehearsal dinner, bachelorette party, church ceremony, and all the trappings she endured less than two years before—we are in a garden, and I said just wear a black dress, and please read this Pablo Neruda poem before the vows. I wanted everyone to wear black, but few did. I’m grateful Melissa is here. She applies my concealer, foundation, blush, and lipstick in the nearby restroom. Unfortunately, because of my sunburn from the week before, my skin is flaky, and she can’t do much to make me look better.  I’m glad she’s willing to participate in this event, though I am not sure whether it is a farce or real. The other bridesmaids I had in 2002 are not there—Gina cut ties because I told her I wasn’t going to raise my unborn child Catholic. At least that’s what she claims. But I know the truth: She watched me cheat on my first husband for over a year and lost all respect for me. Who could blame her?  Erin’s stationed out of state and couldn’t take leave on such short notice. Samantha, who had been pregnant at my first wedding with her second child, has her hands full with those two babies. I told her not to worry about coming. She had attended the first wedding. There may be more in the future, I joked with her on the phone. I had been out of Mark’s earshot. This time, instead of two hundred people witnessing my vows, we have maybe 40 guests. I’m surprised that Mark has only a handful of friends to invite. None of the other volunteers from the fire department are invited, which I find strange. 

This is his third wedding and my second, so we don’t register for gifts, and we don’t bother to invite distant cousins and aunts and uncles. I assume people who are no-shows don’t come because this is just a rerun. My extended family from Minnesota, Chicago, and Washington all attended my first wedding—I couldn’t bear to face them again so soon and did not invite them. It was bad enough this was my dad’s first time meeting Mark. They shook hands. I wonder what my dad thinks of him, of me. 

This time instead of a black limo, we ride in Mark’s Dodge. This time instead of not seeing my future husband before the ceremony, we shared a bed the night before and drove together to the site. This time instead of a priest who has known me since third grade, we have a judge.  He is a short man, maybe 5 foot—cartoon-like with a handlebar mustache and waiting there by the rose bushes in an awkward stance. We emailed our script to him the week before. Having never met him in person prior to the ceremony, we have no idea how well his delivery will go. 

This time instead of music, we have silence as people stand around and wait. Holding the bouquet, I face this small group. My mom’s boyfriend is taking photos. The photographer is off to the side snapping away as well. I asked that we skip the family group shots. 

I am two women. Part of me wants to keep this baby, have this wedding, quit my job, stay at home, and raise our son well.  I’d be better than my mother who only ever gifted me terror. She once screamed, “Pack your shit and get the fuck out!” and tossed my little red “Going to Grandma’s” suitcase at my head. I was seven. I’d be better than my father who took off (who could blame him?) and left me with the beast that still stalks my nightmares.

I’d give my son everything I had wanted: two parents, a house—not that trailer—nice clothes, family time, game time that didn’t end with a mother throwing the board or the cards in the trash, a place to land after a hard day at school, the embrace of a mother who listens to his stories when he’s young and keeps tabs on him when he’s a teenager. I won’t allow my son to run the streets with no curfew and no supervision. I won’t supply the wine coolers in our fridge, stay home if you’re going to drink. I won’t be the mother who’s at her boyfriend’s place every night of the week. Instead, I’ll be home playing the role of mother. Although I’ve never acted on a stage, never memorized lines, I would figure it out. 

The other part of me wants to run from this rushed wedding and give the baby away. The open road, the open notebook, the open door all call, and I want to go. This could be my fire call. I must act now. The pager can’t be stopped—it’s screaming and screaming—I must leave. I could jump in his car, flip the lights and siren on, and take off. This baby would do better with a mother not as bruised, not as cursed, not as abused. How can I offer anything good when all that was poured into me was poison? I’m a deep well. First, tainted by my mother. Then, as a 16-year-old rebel, I’d sought out others who offered me cans, bottles, and glasses filled with something, and I drank and drank and drank—hoping to finally feel my thirst quenched. I drank until I blacked out, and I stayed that way until I woke at this rose garden, pregnant and confused. It isn’t the kiss of a prince that awakens me; it’s the pinch of the dress on my growing belly, the clatter of the cameras’ shutters, the sprinklers suddenly dousing the rose bushes. The bouquet falls from my shaking hands. Mark hands it back to me. 

“You ready?”


It’s amazing what the years take away. I’m sure I looked into his eyes. I’m sure I said something when the judge asked for a response, but I can’t recall. All I have left are the photos and the script the judge read, which was from The Simpsons episode “A Milhouse Divided.” In it, after Milhouse’s parents announce they’re divorcing, Marge and Homer are worried about their own marriage. Homer feels bad that he couldn’t give Marge a nice wedding all those years ago because they were young and strapped. The episode struck a chord with us since we were marrying because of a surprise pregnancy too.

The judge read, “Do you, Catharine, take Mark, in richness and in poorness—poorness is underlined—in impotence and in potence, in quiet solitude or blasting across the alkali flats in a jet-powered, monkey-navigated … and it goes on like this.” 

There was a note that the judge should shuffle his notecards before he said, “it goes on like this,” but I remember he didn’t do that. My only memory of the actual ceremony is my disappointment in the judge. He didn’t perform the piece like we had imagined.  

Now I read those words and realize we’d selected them because they were ridiculous. We weren’t being serious. We were two people who happened to like the same cartoon show. Two people who liked to drink. Two people who liked sex. That’s why we were gathered there—and we couldn’t compose real vows because there was nothing connecting us but an unborn baby who neither of us had known or wanted just a few months before. 

The judge announced us married and everyone clapped.


The day after the wedding, I ask about the bankruptcy. No point in hiding that I snooped—I left the emails up, the filing cabinet drawers open, and paperwork sprawled across floor. He knew I knew as soon as he returned home from the fire call, but he didn’t bring it up when I got back from the salon. He met me at the door, finished buttoning up his shirt, grabbed his tux jacket, and we drove off to get married.   

He tells me he married his second wife Amy in 1996. She was only 21 years old and he was 28. After knowing each other only a few weeks, they hopped a plane to Vegas, got married, then returned to Omaha to his shabby one-bedroom apartment. She started racking up debt almost immediately. He says Amy came from money. Her father was a rich lawyer, and she wouldn’t work, but expected a new place to live, fashionable clothes, a brand new convertible. 

One night, several months after they wed, they had a nasty fight. She was drunk and threatened to take the fancy car and leave, but he didn’t want her driving drunk and he didn’t want to lose her and face another divorce, so he grabbed her, maybe too hard, and she called her father and the police. Mark spent the night in jail. 

Some of the details he gave me are now cloudy, but eventually they filed for divorce, and he was loaded down with her debt. At the time, he worked as a manager at Wendy’s and couldn’t afford the mountains of credit card debt, so he filed for bankruptcy. He had no choice. Amy, he said, got away without consequence, except a sprained wrist. 

I ask about the new credit card debt. Perhaps it’s strange for a 23-year-old to be so wound up about debt. But I’d been lucky—my college had been paid for by a family friend, and I have no debt besides a car loan that’s almost paid off.  I was hired at a debt collection agency full-time when I was 18—before credit card offers made their way to my mailbox. After five years of listening to so many people cry, beg, and scream on the phone, I know what debt does to a life. I’d worked at the agency and attended college full-time, juggling 40-hour weeks and homework, losing friends because I was too busy, missing out on campus poetry readings and writing groups—all so I didn’t live outside my means. 

Mark says he now has about $20,000 in credit card debt and $5,000 left on his student loans. This doesn’t include the car lease or the mortgage. We order a pizza, drink sodas, and talk late into the night. 

I tell him about the cutting, the drinking, and the years of verbal and emotional abuse from my mother. He doesn’t seem disgusted or dismayed. He listens. He shares more. He paints a picture of a little boy sitting at the dinner table alone, playing by himself in his room, ignored by his father. Mark, first as a child, then as an adult, witnessed praise and gifts and money showered on his siblings—blood children of his father—while he was left to do it himself because he was adopted. That’s what he tells me and that’s what I believe.

The judge announced us married and everyone clapped.


 After he tells me that his second wife Amy left him holding such heavy debt, after he tells me about years working at grocery stores and fast food places, after he tells me it took over a decade to earn his bachelor’s degree, after he tells me that he built this house for Anne—an ex-girlfriend whose name came up in those emails I found—and then, that Anne broke up with him just months before the house was finished because she didn’t want to be saddled with his debt, after he says how he’s been a stranger in his own family his entire life—a blond-haired blue-eyed freak surrounded by the much loved black-haired children of his father—after he tells me about the time his father punched him, breaking his nose out in the driveway when he was 16, after hours and hours of talking, his eyes sparkling with unshed tears, I say, “I have a $20,000 CD. It just expired and now it’s in a regular savings account. I can pay off your credit card debt.” 

I know I must give this to him, though he’s hesitant to accept. He’s had a good job as a software engineer for only a few years, this new house was just finished in October, and now I’ve moved in with all my clutter and clothes and this baby I carry, and I can’t give him anything in return. I won’t even take his last name. He’s married me, and I must offer him something—a consolation prize, a thank you gift. 

I do not consider all the free hours of housekeeping and childcare he will receive in the coming years. I do not consider myself having anything of worth to offer besides this measly sum of money. I do not consider why he has racked up this new debt—where did the money go? Would he continue to spend so carelessly in the future?—I am a sack of tears and scars and now stretch marks, and all I want is a place to call home.  I give him the $20,000 as if to say, You’re stuck with Catharine, but here, take this check. 


Cat Dixon

Cat Dixon (she/her) is the author of Eva and Too Heavy to Carry  (Stephen F. Austin University Press, 2016 and 2014), and The Book of Levinson and Our End Has Brought the Spring (Finishing Line Press, 2017 and 2015), and Table for Two (Poet’s Haven, 2019). Her new poetry collection, What Happens in Nebraska, will come out this fall. She works as an adjunct creative writing instructor at the University of Nebraska, Omaha.

Header photograph and artwork by Jordan Keller-Wilson

We Splash

The side of a building with many fire escapes. The photo appears in black and white with a V-shaped center section in bright, comic-book style color, the building vibrant orange-red.

We love The Plunge. The promise of swimming on a hot summer day is the only reason we get up early and clean breakfast dishes without being told. We hurry-brush our teeth, wash our lagañas, and slip on our new swimsuits. Tia bought them at Mervyns. All the same size but each a different color. Joanna’s green one, of course, fits perfect. Elisa complains that the purple shoulder straps dig into her skin. The back of Delia’s blue one goes up her crack a little, so she puts on a pair of jean shorts to cover her nalgas. Maribel’s orange one is stretched so thin it looks almost see-through and goes low in the front so it’s good she doesn’t have chi-chis yet. She throws on a long T-shirt. Larissa’s is loose all over, the red fabric bunched on the sides and her straps slide off her shoulders. We get a big safety pin from Junior’s diapers and fasten the straps together in the back.

We help each other with hair. French braid for Delia that only Joanna can do tight enough. Larissa uses a lot of gel and slicks her curls back tight against her head, makes the hair ballies wrap twice. It’s so tight her puff ball in the back looks like a second tiny head. But we don’t tell her that. Maribel gets two braids that capture all the feathered hair around her face. Elisa’s hair is short enough to leave loose and Joanna likes hers in one skinny ponytail.

We pack our bag with five towels, our new sunglasses that match our suits, baby oil, and five oranges for snack later. Delia stuffs her book in the bag too.

“Why’d you do that?” Maribel asks.

“So I can read while I dry off.”

“Think that’ll make you look smarter?” Elisa always gets straight As.

“I think if I read ten of these this summer, I get a free personal pan pizza.”

The rest of us scramble back to the room for our own books.

At half past nine, we slip on our new yellow flip flops—Tia found them on clearance, all size 6—and pile into Tio’s blue Chevy Astro van. It’s brand new, doesn’t smell like baby butt or big brother feet like the old van did. We name her Bettina and tell Tio the boys should have to walk everywhere so they don’t mess her up. Maribel and Larissa get in the way back seat. Joanna and Delia sit on the middle bench, and Elisa, because she’s the oldest—12 in September—gets to sit in front. We each get a window so everything is fair.

On our way, Tio stops at the Circle K for cigarettes. He buys us each our own slushie and lets us pick our favorite candy. “Shhh,” he says, “don’t tell Tia.”

We can’t get chocolate because it’ll melt in five seconds. Larissa gets Now and Laters, which will pull a filling out of her molar the next day. Joanna gets Jolly Ranchers, “Because we have the same initials.” Elisa picks Nerds proudly and Delia gets Everlasting Gobstoppers. Maribel takes forever to decide, wanders up and down the candy aisle so long Tio yells that he’s gonna be late for work. 

“Licorice!” 

The rest of us groan. “You did that so you don’t have to share,” we say. 

“I’ll share.” She smirks, knows the rest of us don’t like it.

So later, when a few small bits are stuck in her teeth and she smiles at the boys walking by, we don’t tell her. Just let them laugh. Until her eyes fill with tears. Then we surround her. Delia gets a napkin from the bag to clean Maribel’s teeth. We make her eat an orange to chase away the gross licorice smell. Joanna throws the rest of the licorice away.

But we don’t share our candy with Maribel. “Next time,” we say, “make a better choice.”

Larissa makes a different bad choice. One we pray Tias and Tios don’t find out about or we’ll never get to go back to The Plunge. Maybe because Larissa is the youngest—just turned 11 in May—she doesn’t understand why Joanna’s classmates, the ones who think they’re all that and dissed Joanna because she lives on the east side of town, sit in the spot near the deep end where all the boys jackknife off the high dive and cannon ball from the side.

Lifeguards yell, “Hey!” and “Stop that!” but no one listens. Those girly girls squeal and twist their bodies to avoid splashed water on their faces. We think some of them are wearing makeup. At the pool? How dumb! None of them have hair that’s ready for the water either. We know better. 

Maybe Larissa wants them to see how it feels to not be all perfect. She slips away while the rest of us are reading, runs the length of the pool on the slippery cement to the corner closest to those giggly girls. The rest of us look up when the lifeguard’s whistle blows and he yells, “Walk!”

Larissa combos a jackknife cannonball at this crazy angle and a wave of water the girls can’t twist away from arcs over them, drenches their whole pretty selves. Joanna is horrified, so the rest of us stifle our laughs. The wet girls sputter and screech. The guys clap and hoot at Larissa’s performance. She swims to the opposite side and boosts herself out. 

The noises change to cackles and oohs. Only then do the rest of us see that Junior’s diaper pin didn’t hold and the straps of Larissa’s too-loose suit have failed, the top half folds down at her waist.  She smiles over at us until she feels her nakedness. Her barely budding chi-chis chill in the air. She freezes and embarrassment creeps up her cheeks. The hoots and laughs get louder. The pointing and staring keep Larissa super still.

Maribel grabs a towel and sprints toward Larissa, jumps over two toddlers and twirls by the lifeguard who yells “Walk!” again and reaches out to grab her. The rest of us follow behind with the bag and Larissa’s flip flops. 

We surround her and head to the baño. Maribel gives Larissa her long t-shirt. Delia gives Larissa her jean shorts. Joanna undoes Larissa’s hair bally. It whacks Joanna’s fingers but she holds in her ouch and uses some baby oil to calm Larissa’s frizz.

When Larissa finally speaks, she says, “You see how I splashed those sangronas?”


Tisha Marie Reichle-Aguilera

Chicana Feminist and former Rodeo Queen, Tisha Marie Reichle-Aguilera (she/her) writes so the desert landscape of her childhood can be heard as loudly as the urban chaos of her adulthood. She is obsessed with food. A former high school teacher, she earned an MFA at Antioch University Los Angeles and is an Annenberg Fellow at University of Southern California. She is a Macondista and works for literary equity through Women Who Submit. You can read her other stories and essays at http://tishareichle.com/

Header photograph and artwork by Jordan Keller-Wilson

Chicken Legs

The side of a building with many fire escapes. The photo appears in black and white with a V-shaped center section in bright, comic-book style color, the building vibrant orange-red.

Your five-year-old daughter looks up at you with wet eyes and says, “I don’t think she wants to be my friend anymore.” Your stomach falls down an elevator shaft, and suddenly you are 11.

You are 11, and the girl who was your best friend meets you in the alley to walk to school together. “Don’t ever do your hair like that again,” she stabs at you as she walks ahead. The whole way to school you slowly untwirl the coils and braids you woke up extra early to put in. You are stunned and now your hair really does look ridiculous, with a mind of its own since you’ve forced it into and out of plaits. The whole day is spent trying to hide your shameful hair.

One day, you go to sit down with the girls who were your friends and the entire group gets up and moves to a new table, leaving you alone to stare at your lunch. But you did your hair right. Right?

The 11-year-olds are progressing, recruiting some of the older girls. They start following you home from school every day, hurling insults but never getting close enough to push you over. They say things like, “Look at me when I’m talking to you.” And when you don’t look, they throw gravel at your back. Sometimes a stick. But you don’t turn around and you don’t run, either. Somehow, you know to keep your eyes down, your steps measured, your mouth shut.

You start getting stomach pains so you don’t have to go to school. It goes on so long, you are taken to the doctor. The doctor examines you, looks at your mother and says, “There’s nothing wrong with her.” And you almost cry because: (1) You have been found out, and (2) This is the nicest thing anyone has said to you in a while.

The 11-year-old girls must be bored, because they call your house. As you twist the long rotary phone cord over and over your wrist, they take turns hissing into the receiver:

“Bitch.”

“Loser.”

“Scaredy-cat.”

“Pussy, come back to school.”

And now you must, as your stomach is fine.

“Who was that?”

“Nobody, just some friends.”

One day, rather than insults and gravel, the girls throw pieces of bread at you. “Chicken legs!” they call out, in a way to make you know this is a bad thing. “Hey, chicken legs, have some chicken food!” they shout, making bok-bok-bok noises and laughing. You think: (1) Chickens don’t eat bread, do they? (2) Wow, this took some forethought, and (3) Why is even the shape of my body wrong, a personal affront, something I am supposed to control somehow?

And then you look at your daughter’s damp blue eyes, little pools now, needing to say something. Social media tells you the 11-year-old girls are now also grown, with their own daughters. What do they say to their little girls? The right things, most likely. Some wisdom you don’t have access to. Here you are, failing again.

You cannot say, “She still wants to be your friend.” You cannot say,  “Everything will be okay.” You want to say: (1) Harden your heart into stone, or (2) Practice staring into the middle distance. Be still, so still and so quiet, so as not to be detected. Or, (3) Start making art so you can have an endless conversation with yourself.

You bend your chicken legs at the knees, hoist up your tiny daughter. You press her chest to your own stone heart, and say nothing.


Heidi Nieling

Heidi Nieling was raised on the Mississippi River banks of Wisconsin. After receiving her BFA, she transferred to southern Minnesota where she lives with her husband and two six-year olds. Heidi currently works as the chief cook, custodian, activities manager, and Band-Aid applyer of her household. She is also a crochet designer and fiber artist who sneaks in writing when she can. Heidi can be found on Instagram @heidi_nieling

Header photograph and artwork by Jordan Keller-Wilson